unsplash-image-y02jEX_B0O0.jpg

Her Writing

Influenced by:
James Baldwin, Carolyn Forche, Susan Griffin, Linda Hogan and W.S. Merwin.

Poetry Karen Overn Poetry Karen Overn

A Mother's Advice to her Children

Third Place, The Colorado Lawyer Poetry Contest, 2006.

If you ever get the chance, live with an artist.

Live with an artist and you begin to notice

the shapes of things.

Even the air around the enormous

sprig of forsythia

in the beer bottle,

the way its presence

makes the room fade away,

its relationship with the white wall,

its simple canvas.

Selected Poem from What Remains (Turkey Buzzard Press, 2016).

If you ever get the chance, live with an artist.

Live with an artist and you begin to notice

the shapes of things. 

Even the air around the enormous

sprig of forsythia

in the beer bottle,

the way its presence

makes the room fade away,

its relationship with the white wall,

its simple canvas.

 

Live with an artist and expect food

to slow cook all day

just for the odors of chiles,

the moisture in the kitchen

the falling apart of the meat inside the pot.

You needn't gather the cats.  They will find you.

 

Move in with an artist at least once.

Plant plenty of daffodils,

whatever you can afford. 

And study the light

all day and in every season

before you decide to do

much else.

 

Live with an artist. 

Stay as long as you can. 

Leave if you must, then live with

an accountant.

Third Place, The Colorado Lawyer Poetry Contest, 2006.


A POEM FROM THE BOOK WHAT REMAINS

Read More
Poetry, Women & the Law Karen Overn Poetry, Women & the Law Karen Overn

Just Ice

Published in Texas Journal on Women and the Law

A measure of justice

40 pounds weighed on the public scale

the child's eyes

look down at his heart for mother.

It's Charleston. 1815…

Published in Texas Journal on Women and the Law

A measure of justice
40 pounds weighed on the public scale
the child's eyes
look down at his heart for mother.
It's Charleston.  1815.
A cup of cool mercy
on the bare backs
dry throats
eyes.

I wonder how, when.
I enter the courthouse from the hot sun,
the mercy of marble.
The line through the
metal detector
where we leave our knives with the guards
and take with us inside
all the forms of fear.

Each new day
a witness raises her hand
metal weights are adjusted
and a line solid and true
plumbs through the floor to the courtroom below,
and the one below that
and that to
the center of the earth;  while we
sit here and scoop with spoons
the mighty mass of the law.

We listen for:  a clear deep tone
look for:  a gesture
of something true, oh
bring me something true.
Line up the cookie jars
at the dining room table
the headless doll
in the mahogany armchair
the recently discovered bottles of vodka,
spinning on the table
with all the spent shells,
your napkins slit into slivers of silk.

Tell me now
what is the exact distance
between this flesh and that?
Measure it precisely, Justice,
in fingers, please,
in car lengths,
paces,
a hundred yards of football fields,
the field of all our possibilities
dissolving like ice
on the hot Carolina auction block
just ice
a trickle of spray paint on the elevator wall.

My toes spread wide
and I push all my bones
into the solid ice
where I now stand.
We must find the words,
get it over with,
make them up
say anything,
before it all melts
the pool of rights and wrongs we fight for today.

The drone of the docket
quiet curses
summer odor of
too many bodies in
too small a space
people with so much nothing
those with too much heart
those without enough.

Every case picks, slices, carves 
what we believe and what we
do not, in the
eyes
dry throat
summer odor of bodies
all the forms of fear.

Give us what is clean and true.
Scoop  marrow from our bones
Let our feet grow plump and pink,
Let them step lightly now
not to be sacrificed

to the cotton gin

the thresher.

Read More
Poetry Karen Overn Poetry Karen Overn

Poetry Is An Act of Love

Selected Poem from What Remains (Turkey Buzzard Press, 2016).

To love a country is to know its poets.

Is there the soul of a human being in there?

Pure uncertainty yearns in a minor key.

Selected Poem from What Remains (Turkey Buzzard Press, 2016).

 

To love a country is to know its poets.

Is there the soul of a human being in there?

Pure uncertainty yearns in a minor key.

Going out to get a poem is like hunting.

Is there the soul of a human being in there?

Miles said: Don’t play what you know, play what you hear.

Going out to get a poem is like hunting.

It is what the mind takes hold of.

Don’t play what you know, play what you hear.

It is what the mind takes hold of.

To love a country is to know its poets.

As if poetry were an act of love.


A POEM FROM THE BOOK WHAT REMAINS.

Read More