Her Non-fiction
Memoirs, historical fiction, women and the law, racial justice, and more…
COMING SOON!
Your Verdict: A Judge’s Reckoning with Law and Loss
In Your Verdict: A Judge’s Reckoning with Law and Loss, Jacqueline St. Joan recounts a life shaped by judgment—rendered, received, and endured—across the courtroom and the most intimate terrain of family. The book will be published in May 2026 by Golden Antelope Press.
The memoir opens with St. Joan on the bench in 1990s Denver, presiding over cases that place her at the center of bodily harm and public scrutiny…
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As a judge in Denver in the 1990s, I was expected to be impartial, restrained, and above all, neutral. I became controversial—for my rulings in protest cases involving public figures and in domestic violence work. Sometimes cases reflected issues from my personal life that fractured my own family when I crossed racial and sexual lines. Your Verdict: A Judge’s Reckoning with Law and Loss is a literary memoir about what happens when justice is practiced as a form of love—and when love itself becomes grounds for judgment
I spent years issuing verdicts—some that freed, some that confined, all that carried consequences I could not control once they left my hands. But the verdicts that marked me most were not rendered from the bench. They came quietly, from my own family, after I married across racial lines only a few days after the famous Loving vs. Virginia Supreme Court decision banned statutes prohibiting interracial marriage. I know how judgment is formed: by evidence, by bias, by fear, by love. I am not here to persuade you. I am here to tell you what I did, what it cost, and what it demanded of me. The law shaped my work. Love shaped my life. The verdict, now, is yours.
Excerpts from Her Non-Fiction Writing
Browse recent non-fiction writing below. Click on any title or category to read more.
SNEAK PREVIEW from Your Verdict: A Judge’s Reckoning with Law and Loss
A journalist once asked me how I’ve managed to overcome so much in my life. The question stunned me. It had never occurred to me that I had overcome anything. I was just living my life. What she was referring to, of course, was that, compared with many judges, my life has been unconventional. A working class background. Interracial marriage. Welfare mother, Feminist. Community activist. Bi-sexuality. Poetry. What bothers me about the question is the idea of overcoming something, as if I had to conquer my own life, when this life I’ve been making has also been making me. I am a part of so many of the extraordinary, ordinary events and people in court. People like myself, who try to face life and need a little help doing so.
Flash Fiction: "The Home Visit" published by The Ravens Perch
What you feel here is how it happened there. The grown son was in the garage tinkering with a car. He pretended not to notice me.
"Mississippi Goddam" was published in Valley Voices, a literary review of the HBCU, Mississippi Valley State University, in its special issue “A Sense of Place,” Spring 2022.
In Spring 1927, when Sol Bryson was seventeen, the sky opened up, thunder cracked and the rains poured all the water from heaven into the Ohio River, the Allegheny, the Wabash, the Tennessee, all the tributaries that emptied into the Mississippi as it ran narrow in the Delta, and mud channels pushed back, creating one moving monster of water and all that it carried with it—houses and trees, bodies and parts of all those things and more. Sol heard the cries and saw the red mud rising like the terror inside him. The water was rising so fast that their cotton field was becoming just a spit of land surrounded by water, a long finger pointing east. They all ran from it, they had to.
This memoir excerpt will be published in full in the Northern Colorado Writers Anthology, Spring 2023, a collection dedicated to the theme of “Exception/All: An Exploration of Normal"
In June 1967 Pete learned he had been selected for a summer job in California with the Student Health Project, a federal anti-poverty program. He asked and I said yes and watched him move into action. Pete was the great planner, the great provider, controller, idea man, with notes on index cards in his pocket and boxes of loose change on the dashboard. We had to get to California soon. But where to get married? The District, where I lived, had a waiting period for blood testing; Virginia, where Pete lived, prohibited interracial marriage. The laws of slavery had written that one-part Negro blood meant you were the master's property, and Jim Crow titrated blood along similar lines.
The New York Quarterly in 2022.
I wrote this poem in response to a prompt given by poet Carolyn Forche in a Lighthouse Writers workshop focused on the poetry of witness.
To wander East Colfax Avenue in the 1970s is to be young, female, angry and ripe, a June tomato planted early, reddens on the vine, splits open and bleeds. It runs down your leg and stains the street. You don’t stop, you don’t wipe, you let it remain, to remind us of the disappeared women, to remember Joan Little, the inmate who refused the guard in the prison kitchen with an ice pick.
Nominated for Best of the Net 2020
The look he’s giving Nancy says to me it’s more than land he craves. And not just her beauty, he told me in private, but it’s something else in her that he needs. “Not the way a drunk needs a drink, Father,” he explained, “or the way a child needs a mother, more like a sinner needs a priest.”
Colorado Book Award-Literary Fiction, Finalist
My Sisters Made of Light follows three generations of a Pakistani family as they make their way through life in the political, social, and religious maze that is their motherland.
This novel pulls readers into the compelling, heartbreaking, and often terrifying world of honor crimes against women in Pakistan through the life and family history of Ujala.
Ujala decides to follow the path for which her mother has prepared her and pushes aside fears for her own safety to help other women escape from the impossible situations in which they find themselves.
Dorothy Allison, author of the critically acclaimed Bastard Out of Carolina, says, "[Jacqueline St.
Joan] brings to her story what she brought to the law, a conviction that life is full of both struggle and purpose and that grace comes to us when we have no reason to expect it.
Sage Green Journal (http://sagegreenjournal.org/jacqueline-st.-joan.html)
I
I drive the canyons of the West
Deliberately,
The way I drag my finger between
The shoulder blades of the cat.
Third Place, The Colorado Lawyer Poetry Contest, 2006.
If you ever get the chance, live with an artist.
Live with an artist and you begin to notice
the shapes of things.
Even the air around the enormous
sprig of forsythia
in the beer bottle,
the way its presence
makes the room fade away,
its relationship with the white wall,
its simple canvas.
First Place, The Colorado Lawyer Poetry Contest, 2006.
I am watching the freckles
on the back of my fingers
multiply and divide like
lovers under the lens. The
speaker at my podium
says: He's my pimp. Tore
a branch from a tree. Beat
me. The branch broke.
Honorable Mention, The Colorado Lawyer Poetry Contest, 2006.
Although it is summer evening,
hair spray and Nescafé
smell so strong and familiar
it makes one wonder if it is morning or night.
In the tiny yellow bathroom,
From Empire Magazine, The Denver Post
It is a world of birds here in the morning. Busy magpies with sticks. Occasional duck couples settle into the lake. A thousand starlings fill the empty branches of an enormous poplar. When I look up at the tree again, and the black birds have all departed without a sound, without a trace. I am stunned. I grieved the whole year my last child left home. When I dream at the change of seasons, it is often about them as little children, as they were then, sleek and wild, our life full of surprise and struggle. In the dreams we are together again, as if they arrive and depart from me regularly due to the energy and excitement of the equinoxes. All the seasons of my life circle around and I can be all ages.
Winner of the Silver Solas Women's Travel Writing Award, 2009
The best account by a woman of an encounter or experience on the road.
My first impression of Lhasa is the ubiquitous, identical white-tiled buildings that the Chinese government builds to line the streets, hiding even the grand Potala Palace from our view. Our hotel, although modest, feels like a palace to me. The entrance is beautifully flowered and we have our first sit-down toilet.
Published in Mountain Talking, Fall, 2016 and Sage Green Journal
It is a beautiful thing to wake
in the dark chill of October
and go out into it
where a crescent moon
and two stars appear both ahead
Published in The Denver Quarterly
There's a dead baby in your yard
the newsboy said when he knocked on the door.
It was over by the fence. It was naked. It was blue.
It was bloody placenta all over the ground
and red spots on the fence. Red spots on the fence
Denver Press Club Poetry Award
Your poems shock
the way waterlilies burning in a museum
shock the moneyed. With fragrant treason you begged even the rich,
to understand, As you spoke to each generation as that generation,
your dark hair curled in the thirties
by a passion electric for justice.
First Place, Lyrical Poetry, Columbine Poets of Colorado, 2015
He says, What’s the biggest number?
What’s out there, after atmosphere and space?
We are driving home from preschool.
There is no biggest number, I say.
There is always one more.
Turkey Buzzard Press
Vees of geese are sewing Denver back into its morning,
where telescopic, multifaceted periscopes
take in the entire dance & climb.
To the west, snow- peaked triangles; downtown,
rectangles of finance & domes of government;
under the interstate, warehouses of industry &
puffs of cottonwood along the river.
This “family fiction,” won the 2019 Black Sheep Award of the Colorado Genealogical Society
In those days I’d take the train from Union Station in Denver, my home town, to Union Station in Washington, D.C., where the reporting work was. It took a couple of days, but it gave me time to do some writing in the dining car that had a quiet bartender, and to watch the country roll by. There were hobo camps along the rails--you could tell by the smoke. I could take a close up look at them and then roll on by, settle back, open a book or pick up a pen.
Second Place, Free Verse, Columbine Poets of Colorado, 2016
I love the margins,
the left margin
that anticipates comment,
leaves room for
corrections, doodles,
Published in Texas Journal on Women and the Law
A measure of justice
40 pounds weighed on the public scale
the child's eyes
look down at his heart for mother.
It's Charleston. 1815…
SNEAK PREVIEW from The Shawl of Midnight.
All the women in Nafeesa's family have been imprisoned, assassinated, scarred or exiled. Yes, every single one. Is it any wonder, then, that the surviving men in her family have kept those disturbing facts from her? But now Nafeesa wants to know the truth. With the help of her beloved dying grandfather, Kulraj Singh, she receives clues to her past, and in return she pledges to bring his two daughters back to him before he dies. From Pakistan, Nafeesa travels, first to Mumbai--where she meets her lesbian activist Aunt Faisah and Faisah's partner Lia--and then to Kashmir. She's on a journey to adulthood--to learn who she is, who her people are and what she is made of. In the company of her heroic auntie, she travels the foothills of the Himalayas through a war zone, under a deadline, through snow lion country, only to question if this Baji Ulaja is truly so heroic after all. The Shawl of Midnight explores the depths of family relationships, how people change over time and distance, how we might discover through our own pressures and actions what we are made of, and where home truly is.
Feminist Legal / Literary Anthology of Poetry & Fiction published by Northeastern University Press
By suggesting that women lawyers move beyond Portia, the traditional patriarchal symbol of female perfection in the law, we hope to encourage the invention of new paradigms that will split open our thinking about these questions and move us beyond the binaries of male/female, insider/outsider, rights/caring, and justice/mercy.
Published Online, Rename St*pleton for All
White people can’t change the story of our collective past, but we can influence the ending. For us to take responsibility for dismantling white supremacy, we must
Know white history—both collective and personal-- so we understand and are not surprised to learn of its impact on communities of color.
Explore white privilege-- how we benefit directly or indirectly.
Own that shameful history. It belongs to us even though we wish we did not
Disown white supremacy completely. Try to undo the damage it has caused.
Memoir Excerpt
In the field of reverie I am wise and wordless. The urge toward words is small and moves quietly, simultaneously with all else that cannot be named.
Article Published in The Coloradan
One little boy is especially scared and crying loudly. It is difficult to tell how much of his distress is physical pain and how much is fear. The noise increases tension in the room, but the professionals keep to their tasks. We worry that the boy’s screams will frighten the waiting children. “This is when you need a clown,” I say to Laurie.
Special to The Denver Post
At the Arlington County Courthouse, they asked about our bloodlines, and in the box marked “race,” Pete wrote “B” for black. I wrote “H” for human.
Finalist, F(r)iction Spring Short Story Contest, 2016
I passed the entrance to Chitral Gol, the wildlife sanctuary where snow leopards hunt horned goats. A tree sparrow and a whistling thrush sang on the holly oaks on the cliff. In a field of snow-covered rhubarb, a pair of partridges called back and forth in staccato, as if I were a wild cat they were warning other birds. Crows swarmed as one body, cawing their criticisms wildly. Who is she? What is she doing? Why is she alone? Where is her husband?
Published in Thinking Women: Introduction to Women’s Studies, Kendall-Hunt, 1995.
I watch you in the court
House coffee shop. Sitting next to
The angry young woman. The one with
A newborn tied to her chest. Fear
And despair criss-cross her back. You…
Published in War, Literature and the Arts, 1997 and in Thomas J. Cooley Journal of Clinical and Practical Law, 2001. It won a Clincal Legal Education Association poetry award.
Glenn Miller was missing. Somewhere over the English Channel,
his plane went down in December 1944. You'd been drafted,
even with a wife and two daughters to support and
day work in a defense plant and night work in the clubs,
your teeth clamped onto the reed of a saxophone, chin tucked in…
Books
COMING SOON—Your Verdict: A Judge’s Memoir of Law and Loss will be published in Spring 2026 by Golden Antelope Press
What Love Looks Like in Public in Memoir Magazine
Beyond Portia: Women, Law, and Literature in the United States, co-editor (with Annette Bennington McIEhiney) of a multi-cultural anthology of legal and literary theory, poetry and fiction, Northeastern University Press, 1997.
Editor, Colorado Domestic Violence Benchbook, Colorado State Judicial Dept., 1995; Updated 1997; 2010.
Narrative Nonfiction
Meeting the Dalai Lama in Tibet,” Kaleidoscope, A Chrysalis Reader, 2009.
“It’s Loving Day,” The Denver Post, June 11, 2008.
“Ghosts in the Writing Field," in Disturbing the Peace: Writings by Colorado Attorneys, 2002, Denver Bar Association, 2001.
“The Passion of St. Joan: Notes of a County Judge,” Thesis, Master of Arts in English Literature (Creative Writing) Department of English, University of Colorado, 1997.
“In Flight,” Empire Magazine Sunday Denver Post Oct. 27, 1996
Afterword, Give Me Your Good Ear, a novel by Maureen Brady, Spinsters Ink, 1979.
Book Reviews
The Four Faces of Eve: A Tribute to Survival, poetry by Constance E. Boyle, Brooke Granville, Petra Perkins, Gail Waldstein, Compulsive Reader, 2025.
“Other Places, Other Children, Other Times,” (with Samantha and Elizabeth Bryson) The Bloomsbury Review, November/December 2007.
“19 Varieties of Gazelle: Poems of the Middle East,” by Naomi Shihab Nye, The Bloomsbury Review, September/October 2002.
“September 11, 2001: American Writers Respond,” “A Just Response: The Nation on Terrorism, Democracy and September 11, 2001,”, September/October 2002."
Articles and Essays
Children Have Problems, Too,” The Bloomsbury Review January 2007.
“Dismantling White Supremacy: The Importance of History and the Role of Neighbors,” blog, Rename St*pleton for All website, 2020.
“Thinking About How to Think About Renaming Stapleton, essay, www.renameforall.com, 2018.
Four CU Alums Pull Teeth to Help Children in Cambodia, Forever Buffs, June 2, 2016.
“The Clinic as Laboratory: Lessons from the First Year of Conducting Social Research in an Interdisciplinary Domestic Violence Clinic,” (co-authored with Stacy Salomonsen-Sautel, M.S.) Loyola Law Review (2001).
“Building Bridges, Building Walls: Collaboration Between Lawyers and Social Workers in a Domestic Violence Clinic & Client Confidentiality,” Clinical Law Rev. (2001).
“Putting Theory into Practice: A Battered Women’s Clemency Clinic,” (co-authored with Nancy Ehrenreich) Clinical Law Review (2001).
Consulting Author, New Directions from the Field: Victims’ Rights and Services for the 21st Century, U.S. Dept. of Justice Office for Victims of Crimes, 1998.
Memoir: The Passion of St. Joan: Notes of a County Judge,” Thesis, Master of Arts in English Literature (Creative Writing) Department of English, University of Colorado, 1997.
“Sex, Sense, and Sensibility: Trespassing into the Culture of Domestic Abuse,” Harvard Women's Law Journal (1997).